Despite dealing with isolation and neglect, Latter-day Saints in Mexico continued to function and serve well. But eventually, things reached a breaking point.
At the last general conference, I was impressed by something briefly mentioned by Quentin L. Cook. He talked about a seventh-generation member from Tahiti, with her ancestors joining the Church in 1845 (2 years before the Latter-day Saints in the U.S. migrated to Utah/Deseret or Brigham Young organized the First Presidency). It was a brief (but important) reminder that the history of the Church is larger than the United States and the United Kingdom, even in the earliest days of the Church. While Micronesia and Guam do not have as long of a history with the Church as Tahiti or Hawai’i, they still are home to notable populations of Latter-day Saints and a rich history. In a recent interview at the Latter-day Saint history blog From the Desk, R. Devan Jensen discussed the history of the Church in Micronesia and Guam (in connection with the book Battlefields to Temple Grounds: Latter-day Saints in Guam and Micronesia).
The closure of the mission in Mexico in 1889 led to an 12-year gap in the presence of missionaries and official church leadership in central Mexico. Ammon Tenney worked to restart the mission, connecting with the Latter-day Saints who were effectively abandoned and beginning new efforts at proselytizing.
While efforts to gather converts from central Mexico failed and the mission in central Mexico closed, there would still be future successes. Among the earliest converts in the 20th century in Mexico, the Bautista family would go on to have an impact on the Church for years to come, including the development of an indigenous-affirming perspective on Lamanite identity.
One of the important aspects of the Church’s presence in Mexico was the establishment of colonies in the far north. Intended as refuges against anti-polygamy legislation and persecution, the colonies were a constellation of settlements that proved successful for many years and, in some cases, still continue to exist to this day.
In the Church of Jesus Christ of Latter-day Saints post-WWII, the statement that a socialist and anarchist was largely responsible for initiating missionary work in the country that is home to the second-largest community of Latter-day Saints is unexpected. Yet, that is exactly what happened in Mexico thanks to Plotino Constantino Rhodakanaty and his associates.
It’s time to return to the Mexican Mission Hymns project, with a slight change. Instead of running hymn translations and the brief history discussions together, they will be separate posts moving forward. To do this properly, the previous history segments are going to be rerun as their own posts, starting with this one.
Voice of the Saints in Mongolia by Po Nien (Felipe) Chou and Petra Chou is an informative account of the establishment and growth of The Church of Jesus Christ of Latter-day Saints in Mongolia. As the first comprehensive history of the Church in Mongolia, the book breaks historical ground and provides valuable insights into the challenges and blessings of bringing the gospel to a rugged, harsh climate and a people with deeply rooted (non-Christian) beliefs and traditions.
Besides the large public Christmas concerts at Temple Square, the Church also offers a less spectacular, pre-recorded one-hour Christmas concert for online view, worldwide. For 2022 the Church produced “The Promise of Christmas”. Bravo! I don’t know if they employ a Diversity Consultant, but they certainly hit the mark. Opening: immediate focus on two singing non-Caucasian girls, next broadening to the full One Voice Children’s Choir. The kids all casually dressed, naturally moving on stage. Black presenter Stephen Jones, in his warm, easygoing style, sets the tone for an intimate musical journey with church members from around the world. The program features genuine singing from Brazil, the Philippines, South Africa, and from a string of joyful groups in the Africa West Area, flashing a modern Africa in urban settings, future-oriented, and thus avoiding the folklorization of aboriginal villages. Heart-warming are the cozy strings of the “Simply Three”, accompanied by a black pianist. A few other groups bring simple, pleasant music for all audiences. All casually dressed: all should feel included. Personally, I would have liked to see more contributions from other countries instead of the noisy Utah Pipe Band, the bubbly BYU Folk Dancers, or the impeccable BYU Vocal Point, but others certainly enjoy those US contributions. At the center of this Salt Lake-based concert is the adorable telling of the nativity story, with very simple, quietly animated drawings in black and white—suitable for all cultures and age groups. No…